Vintage Still Life Paintings

This vintage still life painting collection shows flowers, fruit and simple objects on tables and ledges. It runs from Jean-Baptiste Monnoyer's flower pieces of the 1690s to Alexej von Jawlensky's bouquets of the 1930s. Each print is made to order on fine art paper, gallery-wrapped canvas or framed canvas.

Vintage still life painting through three centuries

A still life shows objects that do not move: flowers, fruit, food, books or dishes. The painter controls the arrangement and the light. That makes the genre a place to test color and form. This collection covers court flower painting of the late 1600s, French interiors of the 1890s and bold modern bouquets of the 1930s.

Flowers in a vase

Jean-Baptiste Monnoyer (1636–1699) painted flowers for the court of Louis XIV. His Flowers in a Sculpted Urn (1696) sets a heaped urn of flowers on a stone terrace. In Paris, Édouard Vuillard painted flowers in his own rooms, as in Anemones on a Small Table (1905 to 1907). Alexej von Jawlensky's Large Still Life: Bright Bouquet (1936) uses strong outlines and deep color. Marsden Hartley's White Calla Lily in Vase is spare and modern.

Fruit, fish and the table

Food still lifes suit a kitchen or a dining room. William James Glackens painted Pears and Oranges in a Bowl around 1915 in warm, loose strokes. Jawlensky's The Laid Table (1904 to 1905) pairs blue flowers with yellow fruit. Vuillard's early The Smoked Herring (1888) is dark and plain. Hartley's Cactus Still Life (1919) sets a potted cactus against a mountain view. Ludwig Adam Kunz's Quinces and Hendrik Reekers's fruit piece of 1835 add older fruit subjects.

Where still life wall art works

Still life wall art is made to be seen up close, so it suits smaller walls. Try it above a sideboard, beside a dining table or in a hallway. A pair of flower pieces works well on either side of a window or a mirror. Food subjects belong in the kitchen and the dining room. Gold and walnut frames suit the older flower paintings. Black and white frames suit the modern ones. Flower pieces make good gifts, because they suit almost any room. For a set, choose three works by one painter, such as Vuillard bouquets in matching frames.

Sizes and formats

Sizes run from 8 × 12 to 28 × 42 inches, or from 11 × 14 to 30 × 40 inches. The range depends on the shape of the work. Each product page shows the current price for every size and format. Frames come in black, white, gold, silver, walnut and oak. The paper is 340gsm, 100% cotton rag, and ships rolled in a tube. The canvas is acid-free, with giclée printing rated for more than 100 years of fade resistance. Some works also come as 3:1 panoramic prints, from 8 × 24 to 20 × 60 inches.

Related collections

For flowers alone, see Vintage Floral Prints. For botanical fruit plates, see Vintage Fruit Prints. Two painters have their own pages: Édouard Vuillard Prints and Alexej von Jawlensky Prints.

Frequently asked questions

What makes a painting a still life?

Its subject is objects that do not move, such as flowers, fruit, food, vessels or books, arranged by the artist. People and animals, if present, are not the focus.

What are the main types of still life?

Art writers often group still lifes by subject: flower pieces, fruit and food, symbolic objects about time and death (vanitas), and game or fish. Lists vary from writer to writer.

Who painted famous still lifes?

Dutch painters of the 1600s made the genre famous. Later masters include Chardin, Cézanne and Van Gogh. This collection holds Monnoyer, Vuillard, Jawlensky, Glackens and Hartley.

Where should I hang a still life?

Kitchens and dining rooms suit food subjects. Flower pieces suit bedrooms, hallways and living rooms. Most still lifes look best at eye level, where the detail can be seen.

Are these original paintings?

No. They are giclée prints of public-domain works, made to order. They are not signed or limited editions.